![]() ![]() With the Cerberus I can match my Eden amp in seconds, and I can also get a classic Ampeg sound fast, without renting it and exposing my ears to its decibels. The sound was so good and so easy to set up, that I really enjoyed playing and tracking my riffs. They were all done with 360 instead of my real amps. I am currently hired to produce & mix an EP, where I played the bass and several guitars to enhance the arrangements. It is so close, that I really don't find the need to use the hardware. Not only the responsiveness of the amps when playing, but also the whole experience of miking the virtual cabs like I would with a real one. First of all I am really impressed with the realism of the Kuassa sound. I have an Eden 2X10 & 1X15 bass rig and a Laney & Marshall 4X12 guitar rig of my own, plus the option to rent anything I need for an album production. Also being a sound engineer I've carried, set up and miked lots of amps both on stage and in the studio. Not a virtuoso, but I've played guitars for decades and I am familiar with their sound. The whole thing is impressively light even with oversampling engaged in all places.įinally, there is the option to assign several midi switches and two expression pedals to any parameter in the program, so the player can use a pedal board or any midi controller they want.Īs for the sound: I am a long time guitarist. The algorithm is so well designed that I it adds almost no CPU load to my Ryzen 3700X. And in every chain there can be 8 layouts with different elements engaged for instant recall of amp & pedal combinations.Īll amps and drive pedals have the option of oversampling up to 8X without latency, to keep aliasing under control. The whole chain or selected parts of it can be saved as individual presets and recalled in even more combinations. The above can be set up in a virtual pedalboard with unlimited routing possibilities: Serial, parallel, crossover, panned. Many of the effects are stereo, which can widen the guitar in the 360 itself, without further enhancement when mixing in the DAW. Then we have the effects: 5 overdrive, 5 distortion, 5 fuzz pedals, emulating all the classics and some more modern stuff, gate, compressors, graphic EQ's HP & LP filters, classic wah pedals, several delays and all types of reverbs. All the above can be used in any combination. A large number of cabs from 1X8 to 4X12 and a fine collection of microphones of all types. 16 guitar and 3 bass heads (they mostly come in threes from every brand). ![]() This is a whole sound sculpting studio for guitar and bass. Then a GS user suggested the Amplifikation 360 to me. All the amps sounded impressively realistic and very responsive to my playing and to the settings I dialed. I followed up with Matchlock, Cerberus and Caliburn. I was very impressed and purchased immediately. I'd heard good things about Kuassa over the last years and some months ago I demoed their Clarent version of Orange amplification. **This product is a plugin, a VST/VST3/AU/AAX compatible host/sequencer is needed to run this software.I was happily surprised by this product.
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